Johannes Schütz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as “simple, clean, and radical”. All major theatres and opera houses in the German-speaking countries and beyond have showcased Schütz’s work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin’s Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Schütz taught scenography at the ZKM centre for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the Düsseldorf Academy of Fine Arts since 2010.

In his book Die Unterbrechung, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances.